It is such a joy to see our project House with Three Pavilions find beautiful space in print and on the cover of Livingetc Magazine’s June 2022 issue. Aptly titled - ‘A Home with A Verandah’, the article draws attention to our countryside Goan house’s tangible connection to nature. It throws light on our tropical modern design approach and celebrates our efforts to create seamless indoor-outdoor spaces that allow our clients to take everyday life outdoors.

Read the published story here.

If you are considering buying a house in Goa, read our blogpost: What to Look For While Buying A House in Goa

To know more about our design process, take a look at: Designing A House in Goa

We love creating spaces with an intention to reconnect with nature - spaces that allow ample daylight and maximise natural ventilation, that seamlessly transition from indoor to outdoor and facilitate outdoor living. All of these aspirations can be easily realised using 5 key strategies to connect the inside with the outside.

01. Build around site's existing features, elevations, topography and consider restoring habitats.

Try to retain the site in its natural state as much as possible by limiting building footprint and preserving the existing ecological patterns. Before building, take time to observe natural patterns such as sun and shade, rain and drain, dry and lush areas, etc.

Visit the link to learn more about taking a site positive approach.

02. Design for extensive verandahs and incorporate verandahs as transition spaces to take everyday activities outdoors

Design indoor spaces that are flanked by generous outdoor spaces in the form of verandahs and courtyards. You can read our blogpost about the benefits of incorporating verandahs here.

03. Create large openings that seamlessly connect the indoors with the outdoors

Introduce large openings in between these indoor and outdoor spaces which can be opened up to connect the two spaces to allow them to function as one space.

04. Frame views

The openings should be designed to frame views and focus on key natural elements on the site, such as an existing tree, water feature, rocky outcrop, and/ or the views offered by the site.

Find out more about framing views here.

05 Continue the same material from indoor to outdoor and play with finish and texture to create variance

We like to use the same material in the indoor and outdoor space, once again connecting them visually and making them appear as one continuous space. The finish can be slightly altered from space to space ranging from mirror polished to rough cut as seen in the photograph below.

Find our answers to frequently asked questions about using natural stone here.

Celebrating Navovado, our design-build vacation house in the Goan countryside through a gallery of photographs of the courtyard house. Earlier this year, Navovado won the prestigious Platinum Certification from the Indian Green Building Council. Navovado harvests all of its roof rainwater and recharges the water well on site. The use of low-flow water fixtures further improves water efficiency. Focus on use of insulation on the roof, double-glazed glass, low­energy use appliances, LED lighting and 100% hot water from Solar power makes this home extremely energy efficient. The structure is constructed using locally manufactured materials and materials with a high recycled content such as Laterite stone, Matti wood, Fly-ash brick and Slag cement. The garden is planted using native local species to reduce water use for ir­rigation. Finally, large openings allow for maximum daylighting and cross-ventilation, reducing the energy use for lighting and cooling.

The heart of the home lies in the large central courtyard that is an extension of the kitchen, living and dining space. The courtyard houses the swimming pool and provides a green private space to be enjoyed by all the residents of the house. The courtyard morphs in its use depending on the time of day and occasion. The guest bedrooms on the ground floor are designed as pavilions on either side of the courtyard, while the first-floor bedrooms have a large terrace overlooking the courtyard that connects the two levels.

Find Navovado featured in detail on our Instagram page here.

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Geoffrey Bawa is an unforgettable and continuous inspiration to most architects. There is an intangible relationship with nature that is so beautifully established. To see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on, feels wonderful and magical.

As we look back on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice. The following set of images puts our project photos alongside some expertly crafted spaces byt the tropical wizard. It is our ode to the master architect, a reflection of the small but diverse ways in which he has touched our design thinking and building values.

The Balcao Connection

The interesting architectural connection between Goa and Sri Lanka is visibly articulated in elements such as inbuilt seats. The first picture is a site picture of a porch at our project, The House With Three Pavilions. The Goan Balcaos face each other, framing the entrance to the home pavilion. The second photograph is from Bawa's Lunuganga garden, with the in built seats looking out into the surrounding greenscape.

Windows for trees.

There is always time to frame a view. Vistas of green, however small bring a sense of freshness and colour into any space. The first picture is from our project Navovado, as the building volume is punctuated by foliage and fenestration. The second photograph is from Bawa's Garden, the bark of a tree framed through the small verandah window.

Seats built in to live with nature⠀

The first picture is of an insitu seat built next to the champa tree, watching the coconut plantations beyond on site at The House With Three Pavilions. The second photograph is from Bawa's estate, with an in built seat, finished with a wooden railing back, set in the enclosed gazebo to immerse oneself into the sights and sounds of nature around.⠀

A Hidden Pool⠀

The first picture is of a terrace pool overlooking the trees and the hills at our project Nivim. The second photograph is from Geoffrey Bawa's House for Dr Bartholomeusz, with the pool quietly tucked into the indoor-outdoor courtyard.

Finding Bawa ~ The Stairway Composition⠀
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The first two pictures are from our project Navovado, looking at the stairway as it adds sculptural value and the play of different levels to one end of the living room. The second photograph is from Bawa's Bentota house, looking at his minimal, yet artistic stairway composition.⠀

Read Part I of Finding Bawa here.

Geoffrey Bawa is an unforgettable and continuous inspiration to most architects. There is an intangible relationship with nature that is so beautifully established. To see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on, feels wonderful and magical.

As we look back on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice. The following set of images puts our project photos alongside some expertly crafted spaces by the tropical wizard. It is our ode to the master architect, a reflection of the small but diverse ways in which he has touched our design thinking and building values.

Building with nature

Watching these two pictures side by side leaves us with a sense of achievement and happiness. The first picture is from our project, The House with Three Pavilions in Goa. The second picture is from Ena De Silva's house, built by the master Geoffrey Bawa.

Verandahs celebrating the trees of the land
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The first picture is from our project Navovado, looking at the old mango tree preserved during construction on site for this vacation house in Goa. The second photograph is from Bawa's Lunuganga estate, framing the magnificent tree by the lake.⠀⠀

Making greenery part of the building elevation
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The first picture is from our project Navovado, as boundaries are blurred between the house and its landscape. The second photograph is from Bawa's Lunuganga country estate, picturing the house among the greenery perceived from the lawn.

A Place in The Shade⠀
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The first picture is from our project The House With Three Pavilions, as the semi open corridor faces the internal courtyard on one side, touching it with an in situ seat and transitioning into different rooms on the other sides, each celebrating different views. The second photograph is from Bawa's estate, as the corridor behaves like a verandah even as it connects the indoor spaces from side to side. ⠀

A Welcoming Wilderness⠀
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The first picture frames the entrance to a pavilion at The House With Three Pavilions, brought alive with the growth of native plant species. The second photograph is from Bawa's Lunuganga garden, with the entrance pathway bordered by the lush wildscape on one side. ⠀

Read Part II of Finding Bawa here.

To the jaded, the mention of green buildings implies a marketing gimmick, and to an idealist, it conjures images of buildings built with mud and bamboo with compostable toilets. Invoking a strong response either ways, we recently concluded a Q&A session on Green Buildings on Instagram. The session had over 300-people join over the course of a 30-minute session. 

The first question that we tackled was, ‘What is a Green Building’? My answer, ‘A green building is one where you’re trying to reduce the impact of the building on the environment.’ It is about making the right choices at every stage of the project, with the ultimate goal to minimise one’s footprint on the environment. To make a building green, the architect must treat the environment as a key design criteria from the first step of the design process right until the occupancy stage. 

It is our commitment to build sustainably and we green certify all our houses in Goa. Our first home, Nivim was the first green certified residence in Goa. It received a gold-level certification and our project Navovado has recently been awarded the platinum-level certification by the Indian Green Building Council. Platinum being the highest level available in the ranking system.

While a building can absolutely be green without a certificate, a green certification is a great way to stay accountable to oneself throughout the design and construction process. It provides the involved professionals with a detailed list of checks and balances with specifications and design criteria that need to be considered and incorporated at every stage of the design and construction process.

In India, TERI (home-grown) and IGBC (offshoot of USGBC) are the primary agencies that issue green certifications. Both these organisations use a credit based system for the evaluation of green building design and performance. The credits fall under the following categories: Site Planning, Water Efficiency, Energy Efficiency, Indoor Air Quality, and Materials among others. Throughout the process, extensive documentation with detailed calculations are required which is then reviewed and tested by the certification body on site. While the system is elaborate, it proves effective as a way to stay true to one’s goals of sustainability. However, it is important for architects to avoid incorporating design elements or features, just for the sake of securing points and focus instead on strategies that are feasible for that specific project life cycle and use.

Demystifying Green Building

I would like to cut through the clutter on this topic. Specially as I would like to demystify the concept and express that green building design is not necessarily a specialized science, nor is it forbiddingly technical where only certain qualified professionals can build green buildings. On the contrary, it is my strong belief that a building built with the basic principles of good architecture would do very well on the green scorecard. The process of green building design starts with a deep understanding of the site, local climate, wind patterns, local materials and resources. Once a building is sited to take advantage of the sun and wind to maximize daylight and cross ventilation, is designed to be responsive to the weather patterns and is built using local materials, then that in itself is a great start towards making the building green.

In the predominantly hot and humid climate in India, one can further think of reducing the heat gain through an informed design of the building envelope. This will have a tremendous impact on the thermal comfort within a building and hence reduce the energy use in the building. Water is another key natural resource that is dwindling with increased human activity on our planet. Rainwater harvesting provides a simple (sometimes ‘no-brainer’) solution to this problem. The idea is simple, instead of allowing rainwater to drain away from your site, one can design systems to either collect it and reuse on the site itself, or feed it back to the earth to recharge the underground aquifers. In addition, a simple introduction of dual flushes can reduce water use by 50-60% and aerators to taps, which can reduce the water use by upto 70% percent. Aerators mix the water from the taps with air, and as a result the water pressure feels the same even when the amount of water flowing through the taps are reduced.

When it comes to building materials, it is wise to use local materials. In most cases, the vernacular building techniques and the local labor would be well versed with the local material. The green quotient of buildings can be further increased by choosing materials with a higher recycled content, higher recyclability, reusing salvaged materials and materials that are rapidly renewable such as bamboo.

The choices to go green are not always straightforward. Cement for example presents a big conundrum in the building industry. The production of cement produces large quantities of CO2, a greenhouse gas with a lasting impact on global warming and climate change. In fact, the production of every kilogram of Portland cement produces an equal amount (one kilogram) of CO2. This presents a huge challenge for our industry where the widely accepted structural material is cement. Wood is another material that presents a difficult choice with sustainability. On one hand, it is a naturally renewable resource and is biodegradable, and wood can be used and reused multiple times. But at the same time, we are cutting irreplaceable virgin rainforests at an alarming pace with long lasting disastrous impact.

Finally, a green building doesn’t have to cost a lot more. Majority of green building strategies are common sense and based on sound architectural principles, which do not come with an additional cost. In addition, there are simple systems that are available at extremely reasonable prices. The aerators mentioned earlier are a free addition offered by most companies that sell sanitary fittings. The difference is for the architect, client and the vendor to be aware of these systems and integrate them into the building design in a timely manner. 

We must as a community of architects pledge to make green building design as important as aesthetics in our projects. A simple change in the thought process can have a long lasting impact on the quality of life for our future generations, which is a cause worth fighting for.

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Geoffrey Bawa is an unforgettable and continuous inspiration. With every project we embark on, we see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on. Finding Bawa is a gallery we have compiled as an ode to the master architect. As we reflect on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice.

Geoffrey Bawa was one of the original proponents of Tropical Modernism, a design movement in which sensitivity for local context combines with the form-making principles of modernism. His architecture led to the formation of a new architectural identity and aesthetic, redefining what it meant to be modern, celebrating a close connection with one’s built and natural environments.

In 1960, Bawa was commissioned to design the house for artist Ena De Silva. Set in Colombo, the plot was very much enmeshed in the busy urban fabric with the activity and movement of any capital city.

Bawa’s first response was to turn the house in on itself and resurrect the courtyard. The house was conceived as a series of pavilions and verandas contained within a high surrounding boundary wall. A major central courtyard led forward to five smaller satellite courtyards. Light and air poured into every room, with notions of inside and outside blurred nearly beyond distinction.

Its spatial qualities were enhanced by the choice of materials: walls of plastered brick, roofs of half-round Portuguese tiles, columns of satin wood, windows of timber lattice, floors of rough granite- materials that were used in ancient Sri Lankan mansions, but brought together in the contemporary open plan format, assembled in an entirely different manner.

After nearly 40 years of living here, Ena was finally forced to sell the house owing to health concerns and mounting bills. Her land in central Colombo was immensely valuable and was quickly snapped up by an adjoining hospital. But the idea of demolition was met by public outcry that made Urban Development Authority insist that the house must be preserved in its entirety.

This is when the Bawa Trust proposed an unusual solution - to move the house in order to reconstruct it. A team of architects, archaeologists and development contractors came together, led by conservation specialist Nilan Cooray. Everything that could be salvaged from Ena de Silva’s home, including the doors and windows, was carefully collected, stored, and moved.

Unlike examples from Japan and Norway, where timber structures had been relocated successfully, Cooray had to work with masonry, some of which was falling apart. The house was stripped down to its bones - every pebble in the courtyard was numbered, every shape was traced, before he was done. They paid particular attention to replicating the structure’s orientation to the Sun, because that was essential to Bawa’s original palette of light and shadow. Working from the roof down, they dismantled the house, which was boxed up and loaded on to lorries to be carted off to a plot next door to Lunuganga, Bawa’s beautiful garden home.

The process took six years from start to finish, and the Ena De Silva house was finally assembled to completion in its new home in 2016.

Relying on black and white photos and surviving furniture, the Bawa Trust intends to return Ena’s house to a spitting image of how she had kept it, even replanting the garden with her choice of plants. It takes the spirit and act of conservation to uncharted territory, preserving Bawa’s legacy for generations to come.

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Goa is beautiful and rich in its diversity. It has something to offer to every visitor. In this blogpost, we have created a quick map with some of Goa’s best - your very own printable checklist of what to see, where to go and what to do over your next Goa trip. The map has a mix of old houses in Goa, its most popular beaches, the best natural and wildlife sanctuaries in Goa among other popular destinations. For a detailed breakdown of the differences and similarities between North Goa and South Goa, click on the map to read our analysis comparing the two districts.

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In-built seats are one of my favorite features to design across projects. In-built seats truly capture the ‘sussegad’ spirit of Goa, where afternoons are meant for relaxing in shaded verandahs, napping in the afternoon breeze and enjoying the company of friends and music in the evenings!

In-built seats offer transition spaces for indoor and outdoor living. These are all interpretations of the traditional ‘balcao’ that is so integral to Goan architecture and is seen present in the old Portuguese houses in Goa. The ‘balcao’ emphasizes the importance of enjoying nature and the good life. The images are examples of in-built seats across our projects.

Photography: Sanjeet Wahi

Balcao from front entrance at House of Three Pavilions

Outdoor seating at the House of Three Pavilions

References of traditional balcao

Outdoor seating at the House of Three Pavilions

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Starting a new series on the blog today on ‘Designing a House in Goa’. Here we will outline some of the ideas and concepts that we have used over and over in projects which we believe are key to achieving the resort-style lifestyle desired and offered by these lovely houses in Goa.

This is a follow up on our previous post on ‘What to Look for when buying a House in Goa’.

First and foremost, create indoor-outdoor spaces that blend seamlessly together. By that we mean:

1. Design indoor spaces that are flanked by generous outdoor spaces in the form of verandahs and courtyards.

2. Introduce large openings in between these indoor and outdoor spaces which can be opened up to connect the two spaces to allow them to function as one space.

3. The openings should be designed to frame views and focus on key natural elements on the site, such as an existing tree, water feature, rocky outcrop, and/ or the views offered by the site.

4. Plan openings on at least two walls within a room to allow for easy cross ventilation and try to align the openings to the wind direction on the site.

5. We also like to use the same finish in the indoor and outdoor space, once again connecting them visually and making them appear as one contiguous space.

6. Plan for doors with mosquito nets to keep the bugs and creepy crawlies out. This is a very important element that allows for a comfortable use of a Goan home specially in the evenings and during the monsoon.

Images from Navovado. Photography by Sanjeet Wahi

Photograph (above) from Nivim. Photography by Bharath Ramamrutham.

Partner Content : How to Create an Indoor/Outdoor Space That’s Fun and Functional has some great ideas on creating outdoor spaces for different activities. Their post will help you style your outdoor spaces with the right decor, lighting, furniture and much more.

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