We have some much-awaited news!

Grounded will soon be launching 2 new luxury villas for sale in North Goa. Set within beautiful Aldona, the house is surrounded by peaceful green vistas and the rustic charm of the Goan countryside. With expansive living spaces, intimate pockets that look out to the pool, and nearly 3500 sqft of open space, the house seeks to offer seamless indoor-outdoor living. Like all our other residential projects, the villas will be sustainable, architecturally relevant, and closely connected to nature.

To know more about the villas,

It is such a joy to see our project House with Three Pavilions find beautiful space in print and on the cover of Livingetc Magazine’s June 2022 issue. Aptly titled - ‘A Home with A Verandah’, the article draws attention to our countryside Goan house’s tangible connection to nature. It throws light on our tropical modern design approach and celebrates our efforts to create seamless indoor-outdoor spaces that allow our clients to take everyday life outdoors.

Read the published story here.

If you are considering buying a house in Goa, read our blogpost: What to Look For While Buying A House in Goa

To know more about our design process, take a look at: Designing A House in Goa

Life in Goa has a laid-back, luxurious simplicity that is hard to come by in most of our cities today. People who move here are typically looking to leave the rat race behind in pursuit of a slower lifestyle that offers infinite and diverse opportunities to live in harmony with the land, to embrace the local culture, to enjoy the natural abundance as well as savour the bounties brought by changing seasons.

While Goa is a small state, each of its neighbourhoods offer different and unique living experiences. For anyone who is considering moving to Goa or buying a house in Goa, here is a detailed analysis of what one can expect from the neighbourhoods of North Goa.

PANJIM & ITS SURROUNDINGS

Image sourced from The Culture Trip.

PROS:

As the capital city, Panjim is extremely well connected and relatively easier to access. It is a quaint and small town that bridges the old and the new - it offers modern residential amenities while also retaining historic neighbourhoods such as Fountainhas. Panjim, is at its core, a residential area primarily and therefore also has a robust presence of schools around. It is also close to the beach stretches of Miramar, Caranzalem, and Dona Paula.

CONS:

It may not be easy to get a large, spacious house with a backyard in Panjim. The houses available are largely present in apartments and the availability of outdoor space within a plot is hard to come by.

ALDONA, MOIRA & POMBURPA

Image sourced from Tripoto.com

PROS:

Located to the east of the highway, these are quaint villages in North Goa that are positioned at a distance from the beach belt and are therefore saved from Goa’s maddening tourist crowds. The villages offer a quiet lifestyle meant for people who want to coexist with locals and enjoy the real Goa. However, these areas have been gaining popularity over the last ten years as prime locations for countryside vacation homes. These areas typically contain vacation houses built by expats and Indians who live abroad.

CONS:

It is a bit of a trek to the beach from these areas. The closest beaches are about 40-45 minutes away. These areas are also sought after for their pristine and undisturbed natural habitats. Thus, one should expect to entertain the local flora and fauna in their home.

ASSAGAO & SIOLIM

Image sourced from Ghoomophiro.com

PROS:

These were traditionally well-to-do villages that today have some gorgeous and large heritage houses. These villages are closer in proximity to the beach belt and see a lot of local as well as tourist activity. The neighbourhood hosts multiple restaurants and stores of different kinds, so it is charged with buzz, life, and movement throughout the day.

CONS:

Unfortunately, the quintessential quietude of Goa is no longer to be found in these areas. Commercial activity has taken over and most parts of these villages are overbuilt in the name of development.

NERUL, BETHE & REIS MAGOS

Image sourced from Alvira-Ventures

PROS:

These are pictureque villages that are steeped in history. They are also strategically located. Positioned midway between the Candolim beach belt and Panjim, they make the beachside as well as the townside easily accessible.

CONS:

Gentrification has rapidly taken over these areas as well. It may be possible to get a beautiful row house in these areas, however, bigger houses and larger plots will not be easy to come by.

To compare North Goa and South Goa, visit our analysis here.

To know more about building a house in Goa, read our series: Designing a House in Goa

We have recently started work on a small house for a lovely young family in Talpona village in Goa. The focus will be on indoor-outdoor living and creating opportunities to connect with nature. The project site is contoured and verdant, with lush trees meeting the eye every side we turn. Our vision for the project is to bring land and life together, through timeless contemporary-vernacular architecture. As we explore the relationships between space and site, we ask ourselves repeatedly,

What are the views that we can frame? How can we create open, continuous and connected spaces? How much light and breeze comes through? How can we create pockets around different natural clusters? How will each space change with time to allow for multiple experiences?

Geoffrey Bawa is an unforgettable and continuous inspiration to most architects. There is an intangible relationship with nature that is so beautifully established. To see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on, feels wonderful and magical.

As we look back on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice. The following set of images puts our project photos alongside some expertly crafted spaces by the tropical wizard. It is our ode to the master architect, a reflection of the small but diverse ways in which he has touched our design thinking and building values.

Building with nature

Watching these two pictures side by side leaves us with a sense of achievement and happiness. The first picture is from our project, The House with Three Pavilions in Goa. The second picture is from Ena De Silva's house, built by the master Geoffrey Bawa.

Verandahs celebrating the trees of the land
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The first picture is from our project Navovado, looking at the old mango tree preserved during construction on site for this vacation house in Goa. The second photograph is from Bawa's Lunuganga estate, framing the magnificent tree by the lake.⠀⠀

Making greenery part of the building elevation
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The first picture is from our project Navovado, as boundaries are blurred between the house and its landscape. The second photograph is from Bawa's Lunuganga country estate, picturing the house among the greenery perceived from the lawn.

A Place in The Shade⠀
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The first picture is from our project The House With Three Pavilions, as the semi open corridor faces the internal courtyard on one side, touching it with an in situ seat and transitioning into different rooms on the other sides, each celebrating different views. The second photograph is from Bawa's estate, as the corridor behaves like a verandah even as it connects the indoor spaces from side to side. ⠀

A Welcoming Wilderness⠀
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The first picture frames the entrance to a pavilion at The House With Three Pavilions, brought alive with the growth of native plant species. The second photograph is from Bawa's Lunuganga garden, with the entrance pathway bordered by the lush wildscape on one side. ⠀

Read Part II of Finding Bawa here.

To the jaded, the mention of green buildings implies a marketing gimmick, and to an idealist, it conjures images of buildings built with mud and bamboo with compostable toilets. Invoking a strong response either ways, we recently concluded a Q&A session on Green Buildings on Instagram. The session had over 300-people join over the course of a 30-minute session. 

The first question that we tackled was, ‘What is a Green Building’? My answer, ‘A green building is one where you’re trying to reduce the impact of the building on the environment.’ It is about making the right choices at every stage of the project, with the ultimate goal to minimise one’s footprint on the environment. To make a building green, the architect must treat the environment as a key design criteria from the first step of the design process right until the occupancy stage. 

It is our commitment to build sustainably and we green certify all our houses in Goa. Our first home, Nivim was the first green certified residence in Goa. It received a gold-level certification and our project Navovado has recently been awarded the platinum-level certification by the Indian Green Building Council. Platinum being the highest level available in the ranking system.

While a building can absolutely be green without a certificate, a green certification is a great way to stay accountable to oneself throughout the design and construction process. It provides the involved professionals with a detailed list of checks and balances with specifications and design criteria that need to be considered and incorporated at every stage of the design and construction process.

In India, TERI (home-grown) and IGBC (offshoot of USGBC) are the primary agencies that issue green certifications. Both these organisations use a credit based system for the evaluation of green building design and performance. The credits fall under the following categories: Site Planning, Water Efficiency, Energy Efficiency, Indoor Air Quality, and Materials among others. Throughout the process, extensive documentation with detailed calculations are required which is then reviewed and tested by the certification body on site. While the system is elaborate, it proves effective as a way to stay true to one’s goals of sustainability. However, it is important for architects to avoid incorporating design elements or features, just for the sake of securing points and focus instead on strategies that are feasible for that specific project life cycle and use.

Demystifying Green Building

I would like to cut through the clutter on this topic. Specially as I would like to demystify the concept and express that green building design is not necessarily a specialized science, nor is it forbiddingly technical where only certain qualified professionals can build green buildings. On the contrary, it is my strong belief that a building built with the basic principles of good architecture would do very well on the green scorecard. The process of green building design starts with a deep understanding of the site, local climate, wind patterns, local materials and resources. Once a building is sited to take advantage of the sun and wind to maximize daylight and cross ventilation, is designed to be responsive to the weather patterns and is built using local materials, then that in itself is a great start towards making the building green.

In the predominantly hot and humid climate in India, one can further think of reducing the heat gain through an informed design of the building envelope. This will have a tremendous impact on the thermal comfort within a building and hence reduce the energy use in the building. Water is another key natural resource that is dwindling with increased human activity on our planet. Rainwater harvesting provides a simple (sometimes ‘no-brainer’) solution to this problem. The idea is simple, instead of allowing rainwater to drain away from your site, one can design systems to either collect it and reuse on the site itself, or feed it back to the earth to recharge the underground aquifers. In addition, a simple introduction of dual flushes can reduce water use by 50-60% and aerators to taps, which can reduce the water use by upto 70% percent. Aerators mix the water from the taps with air, and as a result the water pressure feels the same even when the amount of water flowing through the taps are reduced.

When it comes to building materials, it is wise to use local materials. In most cases, the vernacular building techniques and the local labor would be well versed with the local material. The green quotient of buildings can be further increased by choosing materials with a higher recycled content, higher recyclability, reusing salvaged materials and materials that are rapidly renewable such as bamboo.

The choices to go green are not always straightforward. Cement for example presents a big conundrum in the building industry. The production of cement produces large quantities of CO2, a greenhouse gas with a lasting impact on global warming and climate change. In fact, the production of every kilogram of Portland cement produces an equal amount (one kilogram) of CO2. This presents a huge challenge for our industry where the widely accepted structural material is cement. Wood is another material that presents a difficult choice with sustainability. On one hand, it is a naturally renewable resource and is biodegradable, and wood can be used and reused multiple times. But at the same time, we are cutting irreplaceable virgin rainforests at an alarming pace with long lasting disastrous impact.

Finally, a green building doesn’t have to cost a lot more. Majority of green building strategies are common sense and based on sound architectural principles, which do not come with an additional cost. In addition, there are simple systems that are available at extremely reasonable prices. The aerators mentioned earlier are a free addition offered by most companies that sell sanitary fittings. The difference is for the architect, client and the vendor to be aware of these systems and integrate them into the building design in a timely manner. 

We must as a community of architects pledge to make green building design as important as aesthetics in our projects. A simple change in the thought process can have a long lasting impact on the quality of life for our future generations, which is a cause worth fighting for.

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Geoffrey Bawa is an unforgettable and continuous inspiration. With every project we embark on, we see our inspiration translate into our work - in design, in spatial character, in connection and reverence towards nature - finding new meaning in every site we build on. Finding Bawa is a gallery we have compiled as an ode to the master architect. As we reflect on our projects, it feels great to see many of our spaces carrying the sensibilities and sensitivites that Bawa inspired throughout his practice.

Geoffrey Bawa was one of the original proponents of Tropical Modernism, a design movement in which sensitivity for local context combines with the form-making principles of modernism. His architecture led to the formation of a new architectural identity and aesthetic, redefining what it meant to be modern, celebrating a close connection with one’s built and natural environments.

In 1960, Bawa was commissioned to design the house for artist Ena De Silva. Set in Colombo, the plot was very much enmeshed in the busy urban fabric with the activity and movement of any capital city.

Bawa’s first response was to turn the house in on itself and resurrect the courtyard. The house was conceived as a series of pavilions and verandas contained within a high surrounding boundary wall. A major central courtyard led forward to five smaller satellite courtyards. Light and air poured into every room, with notions of inside and outside blurred nearly beyond distinction.

Its spatial qualities were enhanced by the choice of materials: walls of plastered brick, roofs of half-round Portuguese tiles, columns of satin wood, windows of timber lattice, floors of rough granite- materials that were used in ancient Sri Lankan mansions, but brought together in the contemporary open plan format, assembled in an entirely different manner.

After nearly 40 years of living here, Ena was finally forced to sell the house owing to health concerns and mounting bills. Her land in central Colombo was immensely valuable and was quickly snapped up by an adjoining hospital. But the idea of demolition was met by public outcry that made Urban Development Authority insist that the house must be preserved in its entirety.

This is when the Bawa Trust proposed an unusual solution - to move the house in order to reconstruct it. A team of architects, archaeologists and development contractors came together, led by conservation specialist Nilan Cooray. Everything that could be salvaged from Ena de Silva’s home, including the doors and windows, was carefully collected, stored, and moved.

Unlike examples from Japan and Norway, where timber structures had been relocated successfully, Cooray had to work with masonry, some of which was falling apart. The house was stripped down to its bones - every pebble in the courtyard was numbered, every shape was traced, before he was done. They paid particular attention to replicating the structure’s orientation to the Sun, because that was essential to Bawa’s original palette of light and shadow. Working from the roof down, they dismantled the house, which was boxed up and loaded on to lorries to be carted off to a plot next door to Lunuganga, Bawa’s beautiful garden home.

The process took six years from start to finish, and the Ena De Silva house was finally assembled to completion in its new home in 2016.

Relying on black and white photos and surviving furniture, the Bawa Trust intends to return Ena’s house to a spitting image of how she had kept it, even replanting the garden with her choice of plants. It takes the spirit and act of conservation to uncharted territory, preserving Bawa’s legacy for generations to come.

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What is a green building?

A green building is one where you’re trying to reduce the impact of the construction on the environment. It is about making the right choices at every stage and  looking at every possible way, to optimise resources during and post construction and to minimise or offset one’s footprint right from the design stage to the occupancy stage. Right from positioning the building on the site, being mindful of the solar and wind orientation, looking at the existing resources on site to incorporate them into the building, preserving the underground water table - the environment is part of the design criteria from the very first step of the design process.

Here are some tips for an architect to design a green building

• The building should be designed for its local climate and weather

• The design should be site specific

• The natural features on the site must be preserved whether it is the trees, the underground water table, the contours and terrain, etc

• Plan openings for maximised daylight and cross ventilation

• Reduce the urban heat island effect 

• For landscaping, use lesser amounts of non permeable surfaces like concrete and more permeable surfaces like grass that allow water to percolate and recharge the underground water table

• Reduce concrete exposure because concrete tends to absorb a lot of heat

• Enhance thermal comfort by thinking about all parts of the envelope - the walls, the windows, the shading devices, the roof, etc - to reduce energy expenditure

• Conserve water and collect or harvest rainwater

• Use aerators for taps and dual flushes for WC

• Use solar water heaters

• Use solar panels if the site allows for it

• Compost using house and site waste and feed it back to the garden

• Reduce, Reuse, Recycle

Every little detail helps.

Links to our previous Blog Posts on Green Building:

• GREEN CERTIFICATION

• WHY BUILD GREEN

• GREAT ONLINE RESOURCES FOR GREEN BUILDING

• GREEN FEATURES AT NIVIM

Goa is beautiful and rich in its diversity. It has something to offer to every visitor. In this blogpost, we have created a quick map with some of Goa’s best - your very own printable checklist of what to see, where to go and what to do over your next Goa trip. The map has a mix of old houses in Goa, its most popular beaches, the best natural and wildlife sanctuaries in Goa among other popular destinations. For a detailed breakdown of the differences and similarities between North Goa and South Goa, click on the map to read our analysis comparing the two districts.

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We have been at final finishing stage for the last three months and at this point I feel like I can see the finish line, feel it but just can't reach it... so here is me venting...big time....

We have had a major exodus of labor at Diwali... All labor went home for the festival and we are left with 2 labor + 2 painters on our site for the past 3 weeks ++ our electrical sub-contractor has been sick, has had a surgery and has disappeared with zero contact... Add to this inefficiency from the landscaper, a slow plumber and stubborn painters... the result is that we are just weeks away from completing the project before FF&E but just can't seem to wrap it up.

FF&E stands for Furniture, Fixture and Equipment, in our case that includes the kitchen and closet cabinetry, movable furniture and equipment. Only once we complete the messy construction phase can we move to the next. Most light fixtures are already on-site waiting to be fixed and most furniture has already been bought and is waiting in warehouses to be delivered....And that makes the situation even more frustrating... when we have planned ahead and made sure that all pieces from our end are ready, but we just can't move ahead ....

The other frustrating aspect of this situation is my inability to control the situation.. I had no inkling that labor would leave, and now have practically no control in the time it takes to get them back on-site. Lessons learned, more control, more communication.... ?? is that possible ?

Below are pictures of the spaces as they look now. I almost feel like picking up the paint brush and broom and clean the place up myself.

LIVING ROOM INTERIOR @Nov. 2012:

BEDROOM INTERIOR @Nov. 2012:

BATHROOM INTERIOR @Nov. 2012:

MASTER BATHROOM INTERIOR @Nov. 2012:

PS: there is a surprise element above the wash basin counter in master bathroom... which we hope to reveal soon !